Apple’s In-Ear Headphones — First Impressions
I’ve got Apple’s new in-ear buds buried deep in my head right now, testing them out with Rush’s Snakes & Arrows album. Admittedly a poor choice of music for a headphone test, as Rush has gotten into the habit of mixing their albums very bass heavy since the early 90’s, but it does point out something very interesting about these earbuds: They’re flat! As in that’s good!
Even with Geddy Lee’s beastly bass lines and Neil Peart’s metal-inspired double-kicking, the bass on these headphones does not devastate like it usually does with other in-ear headphones. My old Sony in-ears were really big on bass, to the point where I tended to turn on the Bass-Reducer setting in the iPod’s Equalizer menu when using them. Not the case here.
If you’re the type who just wants a big, flesh-rending bass response, you’re going to be underwhelmed. These earbuds are clearly not designed for it. Even I was expecting more bass when I plugged them in and was, for the briefest moment, disappointed. But the more I use them, the more I appreciate that Apple has focused on balance here. Mids could be a little crisper (Lifeson’s getting a little lost, but only a little), but trebels are bright and basses are appropriately restrained.
But, for the people out there whose equalizers keep looking like this: (,,,,,,++++*****), you’ll finally be able to flatten that out and enjoy a clean, balanced sound without any fiddling.
One final note: I’ve found that I need to use a bit more force getting a good seal in my ear from these than I’m used to. If the bass sounds so low that you think something is wrong, push the earbuds in a little more.
Worth $79 for audio pricks like me. Not worth $79 for pimp daddies.

